We have shelves stocked with a variety of tools: dot markers, oil pastels, markers, colored pencils, large crayons, etc. These tools are organized by color and available for exploration. There are pre-cut sheets of white drawing paper nearby. This student selected several dot markers and worked for ten minutes, carefully filling the page.
About Me
- Angelina
- I am the studio teacher in Zach's Place Studio, an AMS Montessori teacher, an artist, a mother and much more.
Thursday, October 28, 2010
week seven- Angelina
We have shelves stocked with a variety of tools: dot markers, oil pastels, markers, colored pencils, large crayons, etc. These tools are organized by color and available for exploration. There are pre-cut sheets of white drawing paper nearby. This student selected several dot markers and worked for ten minutes, carefully filling the page.
Monday, October 25, 2010
week 6- leaf- Angelina

Next week we plan to open the studio to broader explorations, incorporating all our fall findings into our study.
Saturday, October 16, 2010
week 6- Toddlers- Angelina
Thursday, October 14, 2010
week 6- From line to leaf- Angelina
The wonder of Autumn through the eyes of a child is something many of us may take for granted. The brightly changing leaves are a thing of magic and breathtaking majesty. A child in our program is of an age that he or she may only remember one or two forays into the colorful world of Autumn. It is our hope, as partners in learning, to nurture this appreciation of the natural world as each child develops and matures into a responsible steward of our planet. Partly with this in mind and party with giddy excitement for the seasons, we continued our exploration of line to include an exploration of leaf.
After bringing in overflowing baskets of fall inspirations, we began our inquiry into the great changes taking place in our surroundings.
When we approach a new topic we start with a question, many of them beginning with: "I wonder...", "Have you noticed...". We pursue the child's learning with additional questions, like, "Why do you think that happened?" or "What might happen next?". The teacher, as participant, researcher and observer, records each answer.
I am always startled by the freshness and insight of their ideas and explanations. While we talk, we often draw.
Some students traced the leaves while others made free handed representations.
This child created an elaborate piece, carefully placing each leaf on the page after removing it from its stem and tracing around its curving form.
As the children worked together, conversation ebbed and flowed, during this process several possible ideas emerged for a project. One centered around creating a tree for the school, with real leaves falling to the ground. Another idea involved pressing leaves into sand or mud to create a collage of leaves.
Still other ideas involved categorizing leaves, or capturing them before "the fall".
Once the rains cleared, students began sojourning onto the playgrounds in search of a particular leaf to explore and draw.
Many of the older students chose to make leaf books, each page a record of a particular leaf and the child's process of looking.
One student became very intrigued by the idea of ephemeral art in the style of Andy Goldsworthy. He spent over twenty minutes immersed in Goldsworthy's book, Passages, and spontaneously began drawing images from the pages, creating a collection of "art ideas" to add to his leaf book.
We have sent home a project for our community consisting of a brown paper lunch bag and an invitation to fill it with signs of the season. Next week we plan to begin categorizing these items for the many projects and explorations ahead.
I am always startled by the freshness and insight of their ideas and explanations. While we talk, we often draw.
We have sent home a project for our community consisting of a brown paper lunch bag and an invitation to fill it with signs of the season. Next week we plan to begin categorizing these items for the many projects and explorations ahead.
Thursday, October 7, 2010
week 5-Intro To Clay- Amy
It is wonderful being back in the Art Studio at Children's Garden and a great gift to be working with Angelina and Kathryn. Clay is one of my favorite mediums to work in as a mixed media sculptor. This week I had the opportunity to meet most of the children and start a dialogue about clay.
We talked about how the clay feels in our hands; where clay come from; why it is different from the play-dough in their classroom; what happens when you add too much water and what happens when it is too dry. We used our hands to create spheres, coils and press the clay into different forms. We also experimented with different clay tools and rolled clay out into a flat slab. I demonstrated the "score and slip" technique and how to use clay slip as "glue" to join pieces of clay together.
Some of the children created small sculptures that will need to dry and be fired before they can be taken home. Others chose not to keep their work and just enjoyed the tactile experience of working with clay.
I'm looking forward to continuing the clay dialogue with the children on Mondays and excited to see where our imagination and creativity will take us.
Parents helping with projects - Kathryn
For the first weeks of school, we discourage parents from visiting their children at school because seeing a parent during those first weeks of becoming used to school again can be a bit unsettling for a young child. But those weeks are past, and Children's Garden has been filled with moms helping groups of children with art projects. We have been so impressed with these moms - they "get" the atmosphere we are trying to create here - calm, relatively quiet, respectful of the children, slow-paced and focused. Yesterday as I walked through the classrooms, small groups of children huddled around tables filled with paint, beads, and pottery, working with a parent or two to complete a project. It reminded me of why we bring art into our school at all. There is something magical about the power of creating a thing of beauty, and for a child, that could be nothing more than a line on paper, a spot of color on canvas, or a string of beads on a wire.
The Toddlers: Here are a few photos of the toddlers painting small wooden objects. They are between 18 months and 3 years old, so the tools themselves are fascinating, hands become tools, for some there is the temptation to taste the paint (non-toxic is essential!!) and the paper beneath the figures also gets a good dollop of paint.
The Extended Primary: The extended primary children, all close to or by now five years old, have mastered most of the tools we use in the studio. They are beyond the exploratory stage of the toddlers, and are ready to do fairly refined and sophisticated work. Interesting to me is that both toddlers and five year olds fall into concentrate easily. The flow experience knows no age boundaries.
These children, with the help of two moms, are stringing fairly small beads of their own choosing, following a pattern of their creation, and then repeating that pattern several times. Obviously they are loving what they are doing, and because of the level of concentration, will return to their next work in the classroom calm and satisfied.
Wednesday, October 6, 2010
Clay with Amy - Kathryn
This week her objective was simply to introduce clay as a medium, and give the children some experience and vocabulary for what they did. Some now know about rolling clay into a long tube, and making a sphere, about using slip to stick pieces together, and something about the process of putting clay into a special oven to cook so that it is hard.
Loris Malaguzzi, the educator who lead the development of the Reggio Emilia approach, wrote about the hundred languages of learning, and meant by that the countless ways children express their ideas, their questions, their curiosity. Using clay is one language, as is drawing, as is using paint, as is dance, is singing - the list goes on and on! One by one, or two by two, we will continue to introduce different ways for children to tell us what they are interested in.

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